A report setting out the expenses of building 5 new care homes in the Highlands has been debated by councillors

May 17th, 2010

The paper by Highland Council directors cautions that going ahead with the project would see “seriously higher ” costs than using non-public sector sites.

It had been proposed to construct the houses in Inverness, Tain, Fort William, Muir of Ord and Grantown-on-Spey. A prior SNP-led administration was committed to the project. But the existing Liberal Left winger , Labour and Independent administration expounded cuts to public expenditure had influenced the plans. The directors of social work, housing, finance and planning researched the argument for the local authority building and running the new buildings.

Poor condition The report concluded : “there is not any industrial case for the council to build a new care home in any of the 5 locations when the ensuing costs will be higher than those suffered by buying of places from the independent sector. ” The officers warned that to resume using existing local authority houses wasn’t a choice because some of the buildings were in a poor condition. Nonetheless they exclaimed there had been capacity in the independent home care market to “absorb current levels of demand”. The report said in the future more folks would be in a position to remain, and receive care, in their own houses. Directors compared the expenses of the 5 suggested buildings against funding care in the personal sector over twenty years. For Fort William it’d be £21.6m for building and running a new home compared to £13m for a similar number of beds in an independent home. In Grantown-on-Spey it might be £21.5m against £13m, in Inverness £25m compared to £16.7m, for Muir of Ord £17.3m against £12.1m and in Tain £23.2m compared to £13.8m.

Public perspectives will be sought on the report.

Kent remain winless after failing to hurricane the Chelmsford keep, but will be satisfied only to avoid a second final-session choke in 2 weeks

May 17th, 2010

Not actually the grandstand finish, but nevertheless a fascinating yarn, even though one without a clear ending. Kent remain winless after failing to hurricane the Chelmsford keep, but will be satisfied only to avoid a second final-session choke in 2 weeks. With Essex set 338 to win in 78 overs, neither side ever genuinely promised to purloin all sixteen points, and both face a relegation struggle unless they can find a cutting edge. But the indications are slightly more encouraging for Essex. If Kent’s plan was to hit their hosts discourteously out of the game, it took 30 minutes for Essex to kick the door open audaciously.

Previous Kent bowler David Gurus did the early damage, removing nightwatchman Matt Coles and clean bowling James Hockley.

Danish Kaneria then removed substantial turn turned to catch the fringe of Azhar Mahmood, before extinguishing the innings with 2 wickets in 2 balls.

Sam Northeast threw a catch to backward point after completing his 2nd 50 of the match, while Makhaya Ntini hardly inconvenienced himself, not to mention the scorers.

The South African was lbw first ball. Kaneria finished with 4 for 68 in his first game of the season without constantly finding his best form. With James Tredwell in the Caribbean topping up his suntan, Robert Key’s hankering for a first-rate spinner of his very own was palpable. Key’s pining after a first-rate spinner, on a pitch wearing about noticeably, was palpable. He used 3 part time options in the 1st fifteen overs, the 3rd of whom, Hockley, delivered the discovery. Having made a pleasant 31, Billy Godleman was shocked by a ball that turned and lifted, and could only edge it to slide. A startled Godleman lingered as if the ball had been delivered by JC Laker instead of JB Hockley. Alastair Cook, in the meantime, was effective if a long way from smooth. He brought up a 103-ball 50, but might have fallen to Hockley twice in an over and looked more content after the off-spinner had to hobble off with a hamstring injury. Joe Denly, who stepped into the break, was less correct but was ready to crop the wicket of Jaik Mickelburgh, lbw on the sweep. As the asking rate slipped the incorrect side of 6 an over, discontented supporters encouraged their team to seize the day.

Only Moments Away From London, Care Homes In Essex Could Be A Convenient Option For Your Loved Ones

May 17th, 2010

This traditional Saxon county is found north east of London. As you travel from west to east the landscape in this gigantic county transforms from important woods, thru rolling wheat-fields dotted with poppies and windmills, to the estuaries, coastal towns and cities of the great North Sea. Steeped in centuries of history, culture and maritime custom, Essex is maybe the most luxuriously various county in Britain . From nutty mud races to the oldest recorded city and tallest Tudor gatehouse in the country, 350 miles of shore and longest pleasure pier in the world, Essex provides excitement and entertainment for all of the family.

With so many great visitor attractions to go to, whatever your interests, you may be sure of a wonderful day out. From walking to sea canoeing off the Essex coast, a day for the kids at Colchester Zoo or a quiet round at one of the great golfing courses Essex offers. Essex has a considerable number of outstanding stately houses. Audley End House near Saffron Walden used to be a Royal palace while Ingatestone Hall has been owned by the same family since the 16th century. Layer Marney Tower is the tallest Tudor gatehouse in the United Kingdom, made more impressive by the generous terracotta decoration. With one of the longest shores of any English county and several glorious blue flag beaches at Dovercourt, Brightlingsea and three in Southend-on-Sea there are a large number of chances to enjoy a selection of water based activities. For more normal fun and fun-packed rides on the pier head to Clacton-on-Sea. Otherwise visit coastal cities like Harwich, Maldon, Burnham-on-Crouch and Brightlingsea that thrive on yachting in the high season.

You will probably have to contribute most benefits you get towards your care home fees. Moving into a care home should not affect the mobility component of your Disability Living Allowance (DLA). It will also be disregarded when your local council are calculating how much you should contribute towards the cost of your care. If the NHS is funding your care home fees, both the care component and the mobility component of your DLA may be affected.  Your local council will help you find care homes in Essex to satisfy your requirements, or the Commission for Social Care Inspection has a catalogue of all registered care homes in Britain. Charities that offer support for certain disabilities can be exceedingly helpful and may have catalogues of care homes that offer specialized support and experienced staff.

An significant consideration when you’re selecting a care home is whether you want one that offers nursing as well as private care.

Lily Allen will fight it out with a grouping of virtual unknowns stood up for on Twitter by Stephen Fry for a top songwriting award

May 4th, 2010

Lily Allen will fight it out with a grouping of virtual unknowns stood up for on Twitter by Stephen Fry for a top songwriting award. Patch William – formed by 4 ex-Bristol College scholars – are nominated for ‘best song musically and lyrically’ at this seasons’s Ivor Novello Awards for their song The Last Bus.

Patch William claimed : “we’re a comparatively unknown band on an independent label.

When we latterly signed with Chrysalis Music, we looked starry-eyed at the 2 Ivor Novello statues at the entrance. Not in our most extravagant daydreams did we imagine that we might be nominated.”.

Also up for the title is put it aside For someone that Cares by The Leisure Society, who last year were designated for a similar prize as unpublished musicians, while composer / guitar player Nick Hemming worked in a warehouse. Another class sees a cult – but celebrated – idea album about cricket by erstwhile Divine Comedy star Neil Hannon. The Duckworth Lewis Strategy – named after an arguable system for working out cricket scores – was released last year by Hannon and Pugwash face Thomas Walsh, and faces Paolo Nutini’s Bright Side Up and Dizzee Rascal’s Tongue N’Cheek on the album shortlist. Nominees for the best modern song class, one of the key awards, are Dizzee Lad with chart-topping holiday favourite Bonkers, La Roux’s In For The Kill and Daniel by Bat For Lashes.

The 55th yearly awards will be distributed at London’s Grosvenor House Hotel on May twenty.

Lily Allen and Dizzee Lad will lead a name call of Brit nominees at the years’s Ivor Novello awards

April 21st, 2010

Lily Allen and Dizzee Lad will lead a name call of Brit nominees at the years’s Ivor Novello awards.

But there had been a shock proposal, once more, for Nick Hemming. The previous warehouse employee received a surprising proposal for the 1st time at last year’s awards when he was a virtual unknown. This year, his song put it aside For Somebody Who Cares has been shortlisted for Best Song Musically and Lyrically, the same class as his prior proposal.

La Roux, Bat for Lashes and Paolo Nutini have also been mentioned in the proposals list. The Duckworth Lewis Strategy , the album by ex-Divine Comedy face Neil Hannon and Thomas Walsh, has been shortlisted in the Album award category.

“We, the Duckworth Lewis Method, are kindly jubilant to be designated in the best album class of this year’s Ivor Novello awards. Our hippopotamusly titled first album truly was as fun to make as it sounds.

Joan gained her BA Honours after 5 years of studying through the Open University taking her last examination the day following the last gig of her two thousand tour

April 6th, 2010

IT may say “singer-songwriter ” on Joan Armatrading’s passport but one of this nations’s most successful musical exports wants to scream about her history degree instead of her songs.

Joan gained her BA Honours after 5 years of studying through the Open University taking her last examination the day following the last gig of her two thousand tour. For Joan it was more gratifying than receiving her Ivor Novello Award or maybe her MBE. “The degree was the award I wanted, ” she is saying. “I worked for 5 long years, studying really hard and taking hard examinations. Someone told me that they had attempted many times to do an Open College degree course and could not manage it. They exclaimed ‘how do you do it?’ I announced, ‘you start the course and then you ensure you finish it’. “It has given me the most satisfaction.

Not even as much … The most. ” Joan was born in St Kitts but moved to Birmingham as a kid, teaching herself to play guitar and write songs in her teens. “it may have been in my genes, ” she is saying. “My dad was in a band in the West Indies. He had a guitar that he hid from me and that is what got me interested because I was not allowed to touch the one he had.

I saw a guitar in a pawn shop that cost £3 but my mother stated that we had not got the cash but we had 2 old prams and if they might do a swap I might have it. I got the guitar and I have it. ” Joan’s first job was at an engineering works but her love of music cost her that work. “The chief of my administrator had a child and asked me to show her guitar and I’m sure my administrator was not too contented for whatever reason, so I got the sack. ” fortunately, a music career waved and Joan released her first album in 1972, signed for big label AM in 1974 and started chalking up hits like affection and love, Down To 0 , Drop the Pilot and Me Myself I. ” No-one taught me the way to write a song and I had no recommendation, I just did it, ” she asserts. “It was only after my 2nd CD that I believed this should be my career. ” Qt concerned with Joan in Germany at the start of her most recent tour which ends in December and takes in Japan, Europe, America, Australia and New Zealand.

Joan is plugging her new album, This Beguiling Life, a return to rock and pop after a successful expedition into the blues. “I’ve always written heaps of different music, ” she asserts. “It’s only as simple and as hard as the track itself dictates. ” Into The Blues in 2006 took Joan to the pinnacle of the Poster advertisement blues charts, the 1st UK lady to do that and earned her a Grammy proposal. “It debuted at number 1 and that was my 3rd Grammy proposal which was amazing to be designated in the blues category, ” she is saying. Joan has achieved the rare deed of longevity but even she’s not sure why. “I do not know the secret. I only know what I am doing which is to be true to myself, write the songs I would like to write and not to follow trends. “.

My home-loving ma pursed her lips at the bright blond hair and assured up-slick of black eyeliner sported by a friend’s mummy who was into newbie theatricals

March 24th, 2010

Being raised in 1950s Britain we were taught that there was something dodgy about glamour. My home-loving ma pursed her lips at the bright blond hair and assured up-slick of black eyeliner sported by a friend’s mummy who was into newbie theatricals.

She was feted for not enabling her teaching staff to wear lipstick. In the 1950s she waged terrorist warfare against the wearing of “paper-nylon” slips, built to give a sticking-out effect to the skirts and summer tops. These were often seized from sixth-formers and hung like scalps on pegs outside her study, a shameful caution to those lower down the highschool.

There had been a large amount of sex perplexity in the educational girls’ colleges of that time. What Germaine Greer called an “absurd version of manly uniform” was sometimes policed with animation : gymslip-type tunics over collared shirts and male ties, definite rules stipulating skirt lengths and the thickness of stockings. Yet we were still meant to be “ladylike”, to dress silently and smartly and always to wear hats and gloves in the street.

The stringent rules generated a sub culture of opposition.

Could you get away with a black bra, pale pink nail polish or Clearasil on teen acne? Many girls breathed a sigh of relief when they left college and could pile on mascara with complete abandonment. But just as glamour was losing the draw of the forbidden, along came second-wave feminism, alert about the hazards of turning ourselves into sex objects. Glamour has gone out of and into fashion since the late 1960s. It was back strongly in the 1980s, even tho against a background of the substantial gains women made in education and the labour market in that decade. Was this a “backlash” or something different? Naomi Wolf and, most lately, Natasha Walter have disagreed that, braced by the beauty industries, the pressures on younger girls to look great can be damaging and relentless. It is alluring to ask whether glamour, once an escape for ladies, has become a prison? But adult ladies are not simply prisoners, fools or victims, and there may be a playfulness around glamour, epitomizied by many ladies performers, as an example : Mae West, Marlene Dietrich, Madonna, Courtney Love, and now, the superbly bonkers Woman Gaga. As fast as you suspect or write about glamour you enter deadly territory. It became slang in the early 20 th century, regularly connected with exotic locales, and new types of fast travel.

Men may be glamorous, as well as ladies : one thinks of pilots ( RAF crew were regularly known as “glamour boys” ), rally drivers, Rudolph Valentino, or Ivor Novello. But by the 1920s and 1930s the notion of glamour was firmly tied up with modernity, and especially with Hollywood.

think about the girls cocooned to the tips of their ears in fur, drifting through the entrance hall in the movie Grand Hotel ( 1932 ), or Marlene Dietrich, memorably described as “a Venus fur-trap”, in Josef von Sternberg’s Blonde Venus.

A substitute for wrapping yourself in fur was writhing on it. Another stock image pictured stars at their dressing tables, in silk kimonos and trapped by an array of cosmetics and scent bottles.

A Halifax singer-songwriter who won an Ivor Novello Award turned her back on music

March 22nd, 2010

Catherine announces : “I first heard Vo sing Going Home about 15 years back when my girl and I attended one of his concerts. It is an extremely piquant song for me as it makes me think of the times when, at the end of term, my pop used to choose me up in the family auto from the Corona Stage College in London. We’d then start the long trip from Chiswick to join the old A1 and then home to Halifax. I loved going home!” Her talent for singing had taken her from the home she shared with her ma and pa and her elder siblings and sisters at a tender age.

As a 10-year-old pupil at Salterhebble College , she had run excitedly home after a British teacher told her : “Go home and tell your mom and pop you could have your voice trained.” Within months 2 days before her 12th birthday she turned up at Corona Stage College in Hammersmith where educational work in the mornings was followed by afternoon drama sessions. Catherine recalls : “We composed a very engaging group of teenagers, including Judy and Sally Geeson and Susan George. But infancy dreams turn into what’s real : my folks was in Yorkshire, I was twelve years old in London and homesick to a wicked degree.” Her time at the stage college led on to acting work in the 1960s.

She is saying : “To tell the truth I needed to be a librarian however having escaped an educational schooling by the point I was eighteen, it was too late for that.

She is saying : “To tell the truth I needed to be a librarian having escaped an educational schooling by the point I was eighteen, it was too late for that. Instead I liked a shockingly successful start as an actor with roles in Theatre 625, Wed. Play, Dr Who, Dixon of Dock Green and Z Automobiles . In 1969, aged nineteen, Catherine confirmed a publishing and recording cope with Reflection Records which ended in the 1971 release of the album What A Attractive Place, which was re-released in 2007 and earned her a completely new military of suitors. After retiring from the music scene she returned to Halifax, married and had her child Jenny, now 21.

She studied for an Open Varsity degree in history and faith and her short book on the early life of George Jacob Holyoake, 19th century secularist, socialist, propagandist and champ of a free press, is now at editing stage. But having written songs from the age of 5, tunes and words continued to come to her. “Yorkshire Hills is a song that came to me in the ’80s in Halifax,” she asserts. “I needed to express what I feel about the history of Yorkshire, my family’s adoptive county, which you can feel permeate your bones and spirit when you walk there particularly in cities like Halifax and Huddersfield. “I love Halifax and am entranced by it and its history.” the tune Harry was written when her folks lived in Fixby, but wasn’t electrified by any one of that name.

“I had had the tune for a considerable time and the words were terribly simple,” she is saying. “It is awfully tricky to write an easy song with straightforward lyrics and keep it interesting.” Having produced no recorded music for twenty years, Catherine released an album called Princelet Street in 2006, produced and organized by guitar strummer Kevin Healy. She is saying : “The album is galvanized by the street and a feeling of family, past and present. Generations of my folks lived in or close to the Town of London. My great-grandmother Susannah Constantine, was born in Princelet Street in 1851, her mother worked as a silk winder, her dad as a fancy comb-maker. As a young man my dad used to work as a sales rep for Geo Glanfield